Susan Sarandon is an acting treasure is her latest film, ‘The Meddler.’
The 2016 summer movie season is upon us.
In ‘Mother’s Day,’ three generations come together, mothers everywhere are celebrated, and we’re left wishing that the movie was as creative as it is mawkish.
Bravely, daring to sport a premise that is off-putting from the get-go, ‘Green Room’ pits punk rockers against neo-Nazis.
Like a number of films over the years that began as seven-minute sketches – many of them emanating from, for example, ‘Saturday Night Live’ – ‘Keanu’ is misshapen as a feature film.
Alan Clay needs to find a new direction and start over. That’s the fuzzy premise of the meandering, Kafkaesque comedy-drama, ‘A Hologram fore the King,’ anchored by the estimable Tom Hanks.
What movie buff could resist the opportunity to see thespians Spacey and Shannon as icons Nixon and Presley in Elvis & Nixon?
‘The Huntsman: Winter’s War’ is the follow-up to 2012’s ‘Snow White and the Huntsman.’
This thriller is so goofily fanciful and casually sadistic, it’s almost ‘Criminal.’
‘The Jungle Book’ is a kidflick in the same way that ‘E.T.: The Extra-Terrestrial’ and ‘Jurassic Park’ are kidflicks.
‘Miles Ahead’ is a biopic, but a chronological, cradle-to-grave drama it is anything but.
Although ‘Everybody Wants Some!!’ comes from the same director as 1993’s ‘Dazed and Confused,’ it is not a sequel.
‘The Boss’ is comedic force of nature, Melissa McCarthy’s attempt to top herself and/or demonstrate her range.
Demolition continues to make his case as a skilled screen-acting stalwart who can easily carry and sometimes even transcend a film.
‘Midnight Special’ is a contemporary sci-fi fable, also a road or chase flick of sorts.