Director Tim Johnson aims this one primarily at young children, keeping the peril from being intense, and including plenty of gentle humor, genial slapstick, and heartfelt emotion.
“Get Hard” tries so hard to push the political-incorrectness envelope that it becomes more offensive than funny far too often.
We remain very much aware that there’s a puppet master putting these characters through their sometimes arbitrary paces.
“Insurgent,” the sequel to “Divergent,” entertains at about the same level of quality as its predecessor.
As convoluted conspiracy tales go, it’s pretty much standard issue, but it’s unnecessarily humorless, takes itself much too seriously.
“Deli Man” is a documentary about the delicatessen tradition in the US and Canada, specifically the Jewish deli that crops up in most big cities.
Let’s face it: you’ll be hard-pressed finding anyone to root for.
The filmmakers take a straightforward, faithful approach to the material, retaining its essential sweetness, allowing the silliness quotient to rise but not fly away, and letting the lavish sets, costumes, and special effects do the heavy lifting.
This is a mixed bag, to be sure, and could have used a rewrite or two.
Its predecessor offered freshness and originality, while this sequel trades in familiarity and contrivance.
It’s a slapdash horror thriller that squanders a decent premise and gives up on itself by the third reel.
It’s a flimflam flick about pros arranging cons.
Perhaps the most successful dynasty in sports history wasn’t a football team or a baseball team or a basketball team. It was a hockey team and not one in the National Hockey League.
Here’s how the Academy of “Me, Myself, and I” sees the Oscar races for best supporting actor and best actor.
Now, let’s handicap the Oscar races for best supporting actress and best actress.