Erik Larson’s “The Devil in the White City” is finally headed to the big screen, with Martin Scorsese directing and Leonardo DiCaprio starring in it.
Sunday evening’s Academy Awards telecast marks the fifth year in the era of the Best Picture Times Two experiment, and it would appear to have caught on.
Call it an invitation to enjoy but not admire, otherwise known as a missed opportunity.
What are the new attractions moviegoers will be choosing among at multiplexes on this year’s final week and immediately beyond? Bill Wine has this survey…
This epic adventure may or may not launch a franchise, but it does stand alone as a generous helping of sci-fi food for thought.
Martin Scorsese is probably responsible for more movie classics than any other American filmmaker, and to witness his early days just return to “Mean Streets,” his 1973 gem.
Yep, director Martin Scorsese, for so long associated with dark crime dramas, delivers an ingenious and enchanting adventure about the early days of the movies. Not only is ‘Hugo’, ostensibly a kidflick, visually mesmerizing, it’s also an enthralling and moving tribute to film artists of an earlier era who worked in a kind of obscurity that modern major moviemakers like Scorsese have long since left behind.
Speaking in his office above the Broadway theaters where he performed as a child, director Sidney Lumet was typically unpretentious in discussing his films, a body of work numbering more American classics than most have a right to contemplate.
By now you’ve read or heard about the Oscar nominations. Well, KYW’s Bill Wine begs to differ — at least a bit.