Director Ridley Scott has always been a visual stylist, and he outdoes himself in that regard with the astonishing computer-generated visual effects of this arresting, immensely-scaled spectacle.
“Fading Gigolo” is an oddball absurdist comedy, a farcical cinematic doodle that takes a bite out of the Big Apple and finds it strangely tasty.
The first sequel took things from bad to worse. The second brings them back to merely bad.
It’s not equal to the masterful original, “Cars,” but it would border on the miraculous if it were.