It’s a witness-to-history drama about the immediate aftermath of the JFK assassination and the events of the next four days.
This is a brilliantly realized, completely riveting, dread-drenched science fiction thriller about two astronauts stranded in orbit around Earth.
This is an honest attempt to grapple with the risky, tricky subject of sex addiction — the apparent movie theme of the moment.
I was just as disinterested in Formula One racing by the end of Rush as I was going in.
There’s nothing like a perceptive and endearing romcom to restore one’s faith in the genre, which is why it’s difficult to say enough about “Enough Said.”
What wonderfully whimsical and winning style this film has, as well as the charm of a season’s worth of movies.
The ensemble acting is stalwart, and the almost lighthearted approach to the subject of sex addiction allows the leads to play some interesting dramatic and comedic notes.
It’s about 2½ hours long, but there’s not a wasted frame in this visually and thematically dark mystery-suspense thriller.
A horror sequel that opened on Friday the 13th took the weekend box office crown at multiplexes.
The Family is an uneasy mix of black comedy, family psychodynamics, and graphically violent gangland thrills.
Ironic, isn’t it, that famous recluse JD Salinger would have such an invasion-of-privacy documentary devoted to him?
Chapter 2 isn’t hideous, but it’s just not Insidious. It lacks the first outing’s capacity to disturb.
This third entry in the Vin Diesel Riddick franchise falls somewhere between the previous two in quality.
Many problems have surfaced at a residential foster-care facility, and the staff is prepared to deal with them in a modest but impactful film that crackles with authenticity.
What does the quieter and more thoughtful autumn movie season have in store for viewers before the award-conscious, high-profile holiday movie lineup unveils? Here’s a peek…