It’s essentially a rehash of the 2012 feature “21 Jump Street,” but with a bigger-is-better budget.
“The Grand Seduction” isn’t quite grand, but it is seductive.
A new teen romantic drama waltzed away with the top spot at the box office over the weekend.
Edge of Tomorrow is a brutally funny (!) science fiction thriller in which an alien race has invaded Earth to wipe out the human race.
Clive Owen and Juliette Binoche co-star as curmudgeonly but inspiring middle-aged educators in this brainy-rather-than-zany romantic comedy.
Your tears aren’t so much jerked as invited by this well-made movie about love blossoming in a teen cancer support group.
She hasn’t exactly been romanticized, but the villainess from “Sleeping Beauty” has at least been humanized.
As a glance at any multiplex marquee will tell you, even though June is not yet visible in the rearview mirror, we can clearly see the beginning of the parade of movies that will keep us entertained all summer.
Even though the laughs are sporadic and the complaints are unavoidable, we’re grateful for the film’s existence.
Jesse Eisenberg plays two roles, and looks the same in both. But the two personalities he brings to life are anything but alike.
Like most of its predecessors, it’s an involving and intriguing, visually arresting entertainment about mutant superheroes with astonishing otherworldly powers who are second-class citizens, metaphorically speaking.
It’s the problematic script that keeps Adam Sandler and Drew Barrymore’s third pairing from being the charm.
The creature-feature reboot exceeded expectations by earning an estimated $93-million on its debut weekend for a monstrous first-place finish.
Jon Favreau wanted to do something a little different, so he cooked up “Chef.” Don’t show up hungry!
After a promising start and relatively absorbing buildup, the franchise reverts to form and the urban destruction special effects once again become the tail that wags the reptile.