The World War II drama starring Brad Pitt took in an estimated $24-million to finish first on its debut weekend.
There’s more than enough of Bill Murray’s devilishly shaggy charm and cranky wit in “St. Vincent” to please movie audiences.
This World War II action drama would have benefitted from a bit less action and a bit more drama.
In the final reels, the narrative goes off the rails.
Neither the film nor his portrayal are up to Robert Downey Jr.’s usual standards.
The unlikely 1984 alliance between striking miners and gays in Britain is the focus of this fictionalized but rousing, satisfying, historical comedy-drama.
Here’s a case where the movie is just a tad longer than the title, and there’s not enough content to justify the feature length.
The marital thriller based on the best-seller, starring Ben Affleck and Rosamund Pike, debuted in first place at the box office by earning an estimated $38-million on its initial weekend.
The novel was a page turner, the movie is a barn burner.
It doesn’t look like a slog or sound like a slog. But it feels like a slog, which, regrettably makes it a slog.
Nicolas Cage’s involvement may give the film more of a fighting chance at the box office, but it also sets up expectations about moviemaking quality that do not end up being met.
Denzel Washington’s new thriller, ‘The Equalizer,’ turned ‘The Maze Runner,’ last weekend’s leader, into a one-week wonder.
All things being equalized, “The Equalizer” could have used a more grounded technical advisor. But the leading man needs no help.
Rooting interest? How about interest, period? The feel-good status the film seems intent on achieving remains well out of reach.
The revelation is how adroit “Saturday Night Live” alumni Kristen Wiig and Bill Hader are in their respective roles in this dark drama-comedy.