Here’s a peek at the mainstream movie lineup coming our way over the next two months.
Although you certainly don’t need to see it on an Imax screen to enjoy or appreciate this celebrated movie, that’s exactly where you’ll find it as of this week.
“Abandon all hope, ye who enter here.” The supposed inscription on the entrance to Hell, compliments of Dante, is what confronts the treasure hunters in the horror thriller, ‘As Above, So Below.’
Can one or two misguided scenes ruin an otherwise watchable movie?
Set in the late ’70s, Life of Crime is a crime comedy based on The Switch (1978), by the late crime novelist Elmore Leonard.
Eating and talking. That’s about the gist of ‘The Trip to Italy,’ the followup to 2011’s ‘The Trip.’
In some movies, style trumps substance. In this sequel, it downright suffocates it.
One of the film’s biggest problems is our realization that we’re watching likable actors playing unlikable, alienating characters who are not inherently compelling enough to have us not mind the company we’re keeping.
Island of Lemurs: Madagascar is a nature documentary about Dr. Patricia C. Wright’s mission to help the endearingly peculiar lemurs, who turned up as castaways millions of years ago in the Republic of Madagascar.
The Giver is essentially plowing the same fields and hunting the same game as The Hunger Games, Divergent, and Pleasantville, but without the same clarity, urgency, or emotionality.
The Expendables 3 is once again about as expendable and disposable as movies get.
‘Calvary’ is a dark, Ireland-set drama, a tale with gallows-humor trimmings that examines the difficulty of holding onto one’s faith, set against the backdrop of the scenic Irish coast.
‘Boyhood’ is a remarkable piece of work and an entertaining coming-of-age drama at that as we watch a boy become a man while the world around him and all his loved ones change as well.
I Origins (which could just as easily have been titled “Eye Origins”) is a cerebral science-versus-spirituality drama, intoxicating at certain times, exasperating at others.
Scarlett Johansson’s character develops a super-brain. The movie itself, however, not so much.