‘The Lady in the Van,’ is a comedy adaptation of the play of the same name by Alan Bennett, based on a “mostly true story.”
How shockingly horrendous and aggressively unfunny is Dirty Grandpa? Let’s put it this way.
The first of a trilogy, The 5th Wave is a post-apocalyptic, teen-centric science fiction thriller.
’45 Years’ is the first for which British actress Charlotte Rampling has been acknowledged by the industry, with an Oscar nomination for Best Actress in a Leading Role.
It’s is a relentless, one-dimensional, technically adroit tribute.
The overall problem with Norm of the North is that he and his movie are below the norm.
If you rode along with the original, you may be fine riding along with the sequel. But don’t expect much in the way of Ride Along 2 being more than a long ride. Backwards.
A supernatural horror thriller that doesn’t trust its premise enough to create and sustain any internal logic
‘The Revenant’ is a western adventure and revenge melodrama about Hugh Glass, a real-life frontiersman and fur trapper with a half-Pawnee son who, in the Rockies in the 1820s, sought vengeance against the men who left him for dead after he was mauled by a bear.
‘Carol’ is the story of a lesbian romance during an era when same-sex relationships stayed surreptitious, to say the least.
Here are one critic’s countdown – according to the voting members of the Academy of Me, Myself, and I – the most stimulating and fulfilling moviegoing experiences of the past year.
‘The Hateful Eight’ is a western, but before long we realize that it is also essentially an indoor, even claustrophobic, Agatha Christie mystery.
It’s possible to be disenfranchised and entertained simultaneously. And ‘The Big Short’ proves it because this is an easy movie to sit through and not quite understand.
In ‘Daddy’s Home,’ not only is daddy home (Mark Wahlberg), but stepdaddy (Will Ferrell) is there too.
‘Joy’ chronicles four decades in the life of Joy Mangano, whose life loosely inspired director David O. Russell’s screenplay.